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ACUS ACUS Phantasma
ACUSIt conceives, designs and produces all its line of products exclusively in Italy at Recanati, drawing at the highest level of experience available from a center of history and tradition in the development and production of musical instruments in Europe.Acus was founded and managed with enthusiasm and innovation from the Canale family, drawing on over 40 years of dedicated development and experience in this area
Preamplification system for classical acoustic guitar. Includes a piezo transducer (Undersaddle), a condenser microphone to be installed on the instrument, an external preamp in class A with master volume, High Pass Filter, Low Pass Filter, Depth for piezo and Air control for the Microphone control, a stereo jack cable and a padded case.
The project Phantasma It comes from the need for a high quality guitar amplification system that meets the following requirements:
- Lightweight and the least invasive possible without controls and battery on board to comply with the integrity of the guitar body, to avoid the blocking of vibrations.
Inside the guitar there is a microphone capsule and a piezo with a thickness of 0.8mm;Nothing else, 30 grams of total weight ...
- The phantasma provides the circuits in an external compact preamplification box connected to the guitar via a stereo cable (included).
The class A preamplifier takes into account all the construction characteristics of the instruments and returns an extremely natural sound adjustable from the HPF and LPF filters and by the divided-split piezo.
- No feedback.The Acus engineers team conducted a search on the "X zone" of the resonance frequencies to avoid amplifying these frequencies.Its operating principle is based on the combination of the harmonics detected by the microphone with those captured by the resonance frequencies that create Larsen, carefully restoring an extremely balanced and natural sound.
- A preamplifier for more guitars.
The Phantasma preamplifier allows the exchange between nylon string guitar and Dreadnought guitar.
A piezo / microphone inside each guitar and a single preamplifier.
- Completely dynamic.Finally the dynamics of the really excellent system.The feeling that of having a system capable of improving any guitar style including tapping, percussion of the guitar body and flamenco.
Preamplification system for classical acoustic guitar. Includes a piezo transducer (Undersaddle), a condenser microphone to be installed on the instrument, an external preamp in class A with master volume, High Pass Filter, Low Pass Filter, Depth for piezo and Air control for the Microphone control, a stereo jack cable and a padded case.
The project Phantasma It comes from the need for a high quality guitar amplification system that meets the following requirements:
- Lightweight and the least invasive possible without controls and battery on board to comply with the integrity of the guitar body, to avoid the blocking of vibrations.
Inside the guitar there is a microphone capsule and a piezo with a thickness of 0.8mm;Nothing else, 30 grams of total weight ...
- The phantasma provides the circuits in an external compact preamplification box connected to the guitar via a stereo cable (included).
The class A preamplifier takes into account all the construction characteristics of the instruments and returns an extremely natural sound adjustable from the HPF and LPF filters and by the divided-split piezo.
- No feedback.The Acus engineers team conducted a search on the "X zone" of the resonance frequencies to avoid amplifying these frequencies.Its operating principle is based on the combination of the harmonics detected by the microphone with those captured by the resonance frequencies that create Larsen, carefully restoring an extremely balanced and natural sound.
- A preamplifier for more guitars.
The Phantasma preamplifier allows the exchange between nylon string guitar and Dreadnought guitar.
A piezo / microphone inside each guitar and a single preamplifier.
- Completely dynamic.Finally the dynamics of the really excellent system.The feeling that of having a system capable of improving any guitar style including tapping, percussion of the guitar body and flamenco.
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