TECH21 PSA 2.0 Sansamp

Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar

Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
Tech21 PSA 2.0 Sansamp - Programmable preamplifier for programmable guitar
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Programmable preamplifier for programmable guitar

TECH21 presents PSA 2.0 Sansamp

The Sansamp PSA was used on thousands of important releases, worldwide tours and film soundtracks for multiple applications and tools, including guitar, low, horns, voice and battery. With 2019 that celebrates the 30th anniversary, Tech21 thought it was time to change a p things and simplify its architecture in a compact and easily transportable pedal. Sansamp PSA 2.0 offers the same 100% analog circuits for incisive, reactive and organic sounds that pull out the best from any instrument. Only the programming and memory sections are digital. It also offers the same operational simplicity, essential and versatilit functionalities. In the studio, you can register directly, improve existing traces in the Mixdowns and add interesting touches to any instrument. Live, the Sansamp PSA 2.0 can be used as a direct preamplifier in a power ending with guitar or low cabinet, as a "Monster Direct Box" for a PA system (or both at the same time) and as an outboard processor. Furthermore, PSA 2.0 has a mode mode, which transforms it into a 3-channel Stompbox. With 128 memory positions, storage and recalling of simple programs. No special training or a degree in physics to make your unit work. The rotation of each control increases and decreases uniformly, gradual and linear, so when you turn a knob, you immediately feel the difference. Just set the sounds and press the Save button. There is no delay or "interruption" when switching from one program to another. And being analogue, there is no zero latency.

  • TOTALLY ANALOGICAL SIGNAL PATH with digital programming
  • Three presets immediately recalled via Footswitch
  • Level controls, high, low, drive, crunch, punch, buzz, gain and trim
  • Eqs. with two active bands + /-18db
  • Speaker Simulator disconnectable
  • Midi
  • 128 memory banks