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AUDIX Fireball
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396994
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Order it before 12:30 on Monday and receive it between on 12/12/25 and 12/15/25 with Corriere Espresso. ESTIMATED DATE.
Microphone for harmonic E Beatbox
AUDIX presents Fireball
The fireball designed for harmonics (both diatonic and chromatic) and beatbox. Clear, precise and able to manage sound pressure levels greater than 140 dB without distortion, the ideal fireball is for the live stage and in studio recording applications. The Fireball microphone has an omegeneous frequency response, a 50Hz uniform-16KHz, and a cardioid pickup model for insulation and feedback control. E'Lightweight, compact and comfortable to hold. The fireball made with aluminum body worked with CNC machines, steel mesh grille and a single anodized three-stage finish. For the fireball a low impedance microphone, when using a low-transformer / high quality impedance (see T50K) when using a low-impedance guitar amplifier.
AUDIX presents Fireball
The fireball designed for harmonics (both diatonic and chromatic) and beatbox. Clear, precise and able to manage sound pressure levels greater than 140 dB without distortion, the ideal fireball is for the live stage and in studio recording applications. The Fireball microphone has an omegeneous frequency response, a 50Hz uniform-16KHz, and a cardioid pickup model for insulation and feedback control. E'Lightweight, compact and comfortable to hold. The fireball made with aluminum body worked with CNC machines, steel mesh grille and a single anodized three-stage finish. For the fireball a low impedance microphone, when using a low-transformer / high quality impedance (see T50K) when using a low-impedance guitar amplifier.
- Polar diagram: Cardioid
- Frequency response: 50hz-16khz
- Impedance: 150 ohm
- Sensitivity: 1, 5 mV / PA @ 1K
- Extended rejection: > 23db
- SPL Max: > 140db
- Phantom power supply: No
- Accessories included: Auction support (DCLIP)
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