Most High Gain distortions reach high distortions at the expense of dynamics and transparency. Excessive compression and an exaggerated number of filters leave guitarist with a sterile and unlikely touch sound. The Double Edge circuit avoids every overprocess and uses a single filter to ensure an organic sound but never rare in the world of high gain pedals. The two channels share the same volume and tone controls, but they have a completely different voicing. The channel 1 It is voted to rhythmic, with a full-body distortion and medium gain, usable both on a clean channel as a boost and on a distorted channel as an extra gear for your amplifier, always kept articulation and intelligibility. The channel 2 is designed for solo parts, with more Gain's reserve, a slightly greater volume and infinite sustain to pierce the mix with great naturalness. Used on a crunch channel, it generates perfect sounds for solos of all kinds, while pumped on an unfortunate channel it releases all its fury qualifying as one of the most purpose of the market. Cherry on the cake the Direct output-Out to use for the king-amp or as a tuner output. "Develop my Signature pedal with Roy of Greenhouse Effects was how to come true. The result is absolutely fantastic, frankly a lot beyond the best expectations, already very high. I am really proud that my name is on this pedal!"- Carl to Tidemann

Features

• Two channels with independent gain control
• Dynamics and transparency unmatched in the world of high pedals-gain
• Channel 1 studied for rhythmic, with a full-bodied distortion and medium gain
• Channel 2 Designed for solo parts, with more than Gain and Sustain reserve, slightly greater volume to get out of the mix
• Connections arranged on the top to optimize the space on the pedalboard
• Direct Out output for Re-Amping or Tuner Output
• True bypass
• Developed on August Tidemann (Arcturus, Winds, Tritonus) specifications
• Hand built in Israel
• Power supply: 9V

Technical specifications

• L373l